Friday, 18 November 2011

Momentum Pictures - The King's Speech Mind Map

Above: Click image to enlarge.

Above is my completed Momentum Pictures King's Speech analysis.

Tuesday, 15 November 2011

The King's Speech - Financing



Many fledgling British films never make it off of the drawing board however some get the opportunity to receive funding from private equity providers. Private lenders are usually very reluctant to invest in a film unless they are almost certain of it's success, and there are reasons for this apparent reluctance.

From the period of 2003 to 2006, data released by the UK film council revealed that out of the 333 British films which private investors invested in, only 35 made a profit. Now these shocking statistics reveal why the British film industry is struggling to stay afloat, hardly any films receive funding as many private investors are afraid that they will be dragged under, along with the films which they support.
Above: Prescience funded over two thirds of The King's Speech's total budget.

On the contrary, The King's Speech is a success story which stands out from the rest, grossing a total of £250m in box office sales alone, the British biopic with a modest £9m budget managed to break box office records. The film received funding from various sources however the main contributor was Prescience Film Finance which provided two thirds of the films £9m budget, alongside this, the National lottery also funded £1m in the film. Due to the films niche nature, developers initially had a struggle to attract potential investors, with Film 4 and BBC turning down the opportunity to invest in the film.

The King's Speech is one of the rare few British movies which make it into the public domain and reach worldwide success. Many British movies financially fail each year and some don't even make it past the concept stage, however the select few such as The King's speech are given the chance to achieve critical status and be remembered by viewers for years to come.





Monday, 14 November 2011

The King's Speech - Production Mind Map



Above is my completed SeeSaw production mind map. Click To Enlarge.

Wednesday, 9 November 2011

AS Media Studies - The King's Speech Poster Analysis

Above: The film poster in question.


In this promotional release poster for The King's Speech there are many elements which have been subtly added in to form an image of the film at a quick glance. There are elements of the poster which perhaps reveal the narrative of the movie such as the phrase 'let courage reign', a general mix between the King's Royal duties and his speech impediment which he desperately tries to overcome with 'courage'.

Firstly it s important to focus on the two characters on the poster, Lionel Logue (Right) and King George VI (Left). We can see that from the way which they are standing that King George is taller than Mr. Logue. This may not just relate to stature, it may also have other connotations. His height may suggest that he has power and influence over others and the fact that he physically  taller than Logue further cements his powerful status. In addition to this, King George is shown much closer than Logue who seems to be standing further back. This may also relate to who has the most significant role in the film, showing King George in a much closer light as the audience gets to delve into his personal life and affairs much more than Logue's. The clothes which characters wear also plays a key role in setting the tone for a poster ans portraying that tone across to the audience.The clothes which King George and Mr. Logue are dressed in both seem incredibly formal, suggesting that a major event its taking place, one that requires the King to give a speech.

Another key aspect to observe is the facial expressions of both characters. King George is shown staring off, looking slightly downwards, perhaps suggesting because as his status as the Monarch he often looks down on people who are underneath him, Logue for example. Whilst on the other hand we have Logue who appears to be looking up to King George, with a caring expression on his face, suggesting pity for him, another link back to the narrative of the film.

Finally, the background of the poster creates a backdrop on which the main ideas of the film are placed upon. Using King George VI's Royal cypher against the red background symbolises who the main character in the film is and the iconic colour suggests that it is the British Royal family who features within. Another element which is included in this poster are the ratings, displayed at the top, along with the awards which The King's Speech was nominated for. This information allows prospective audiences to make an informed decision whether or not to watch or purchase the movie based on reviews from certified sources.

Tuesday, 8 November 2011

AS Media Studies Blog - The King's Speech - Exhibition

Exhibition has played a major role in the phenomenal success of the British biopic, The King's Speech. Through various media platforms such as social networking sites, YouTube and theatrical rating sites which allow users to forward their opinions on new releases such as, IMDB. It is these sites which allow low budget British films to gain popularity and an audience following, e.g The King's Speech.

YouTube has played an important role in the success of many low budget British movies, an example of one of these success stories is The King's Speech. By using the plethora of social interaction services which the site features, users are able to share videos with friends and comment on content they like and dislike. It is these services which allow videos to spread and
become discussed by many viewers and critics alike.

Above: An example of a highly rated YouTube comment on The King's Speech.
 Social networking sites also play a rather important role in ensuring low budget Budget films are successful. In many cases low budget films aren't able to pay the huge advertising fees many broadcasting companies now demand. However by creating a Facebook or Twitter page, fans are able to follow, comment and share information about their favorite films with their friends. The King's Speech Facebook fan site receives many visits per day and countless comments on content which is posted on there. Just an example of free advertising which many films and television programmes are turning to attract a more diverse audience.



Above: The BBFC (British Board of Film Classification) and the variety of certificates which films receive based on their content.

The certificate which the BBFC (British Board of Film Classification) gives a film which is released in the UK may make the difference between the film succeeding or failing to break even. Many films which are released in the UK every year financially fail because of the rating which their film has been classified as. This may be because the target audience which the film was aimed at has been excluded from viewing the content, reasons include unsuitable language, discrimination and violence among others. The King's Speech also had its fair share of classification issues, firstly being categorised as a certificate 15 film because of scenes where Lionel Logue encourages the King to shout profanities to relieve stress. However following criticism from Tom Hooper, the director of the motion picture, the certificate was eventually lowered to a 12A certificate on the basis that the film is an educational resource and that the inappropriate language was not used in a offensive way.

Sunday, 6 November 2011

Audience Reception - The King's Speech



The King's Speech reached critical acclaim in 2010, the year of its release. Scooping up 7 Academy Film Awards, the film was thrust into the public domain and in total has achieved over £250 million in box office sales alone.


The highly successful British biopic has seen remarkable success in the US as well as being nominated and winning 4 Oscars.  It had immense appeal to audiences overseas as well as on British soil, cashing in over $138 million in total in the States. The film which depicts King George VI's (Colin Firth) life through trial and tribulation as he struggles to overcome his speech impediment and  balance his newly appointed royal duties, however help comes from an unlikely source, Lionel Logue, played by Geoffrey Rush, a veteran speech therapist who believes he has what it takes to cure the troubled King.


Above: King George VI (Colin Firth) prepares to give his Wartime speech.
The small budget film has had overwhelming success, drawing in flocks of cinema-goers all over the globe, however the historical biopic has received a large fan following in the US. This begs us to ask the question, why have others from foreign countries  warmed so softly to The King's Speech?


Now, there may be many reasons for foreign countries warming to the palatable nature of this 'feel good' film. One may be the extreme pomp and circumstance which comes along with a royal biopic however, countries such as the US with relatively short historical pasts may turn to the film as an experience to gain a wealth of historical knowledge with the convenience of watching a film. 


Many viewers in the US gave the film excellent ratings, with an average rating of 8.6/10 on IMDB, the film certainly had an overwhelming effect on cinema-goers. However, this film didn't just 'woo' foreign audiences, back home in Britain the film received rave reviews as well. It seems that films like The King's Speech appeals to audiences so much because it allows them to reminisce to a by gone era and fully immerse themselves in the captivating script, even with British viewers it allows us to connect with the Royal family and empathise with them.


Finally, I believe that the main reasons of success for The King's Speech are in essence very basic. Firstly, the film has stuck to quick a simple linear narrative, this appeals to audiences as it gives them a footing and a platform from which to expand their understanding as it progresses. Secondly, the touching and emotional nature of the film also may be another reason for its great success. Audiences are able to empathise, as was mentioned earlier, with the King, enabling them to connect with him emotionally, creating a more tactile role in the film for the audience. 


 It is this mix of tactility and fundamental narratives which has in effect created one of the most successful films of the 21st century, and with notable awards wins such as Oscars and Academy awards, firmly cementing The King's Speech with a place in film h-h-history!






                      

Tuesday, 1 November 2011

Media Questionnaire Analysis

I managed to gather and process the information from a questionnaire which was sent around my AS media studies class. From this questionnaire, I was able to draw conclusions on peoples' viewing habits based on class origins and their preferred movie genres. My results are as follows:


Male:  5   Female: 16


Working Class : 9  Middle Class:  12


Preferred Cinematical platform:


Cinema: 12    Portable Device: 7   Online: 10  Televison:  11


From the results I gathered, I was able to make the conclusion that the majority of working class students preferred to watch films on the television and via online sources. Perhaps the reason for this is because many working students may belong to lower income families and watching films by these sources is the greatest cost effective option. Alternatively we have the working class students who chose the cinema and portable devices as their preferred genres. A contrast to the majority of working class students, perhaps because these platforms can often prove rather expensive when compared to their cheaper more widely available counterparts.


The graph below illustrates my results:
Preferred Class Genres:

Middle Class:  Horror: 1  Comedy: 7  Action: 2  Thriller: 2
Working Class: Horror: 4 Comedy: 3  Action: 2  Thriller: 2

The graph below illustrates my results:



Conclusion

  From my research, it is clear that there are many factors which may shape and alter an audiences’ viewing habits based on their backgrounds.

This shows that the audience has the power to shape and mould the television programmes which are broadcast and are often created to appeal to viewers based traits such as age, sex and class status.